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Inventing Abstraction 1910-1925: How a Radical Idea Changed Modern Art, by Matthew Affron
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"Inventing Abstraction 1910-1925" explores the development of abstraction from the moment of its declaration around 1912 to its establishment as the foundation of avant-garde practice in the mid-1920s. The book brings together many of the most influential works in abstractions early history to draw a cross-media portrait of this watershed moment in which traditional art was reinvented in a wholesale way. Works are presented in groups that serve as case studies, each engaging a key topic in abstractions first years: an artist, a movement, an exhibition or thematic concern. Key focal points include Vasily Kandinskys ambitious Compositions V, VI and VII; a selection of Piet Mondrians work that offers a distilled narrative of his trajectory to Neo-plasticism; and all the extant Suprematist pictures that Kazimir Malevich showed in the landmark 0.10 exhibition in 1915.
- Sales Rank: #156938 in Books
- Published on: 2013-01-07
- Original language: English
- Dimensions: 12.32" h x 1.38" w x 9.88" l, .0 pounds
- Binding: Hardcover
- 376 pages
Most helpful customer reviews
2 of 2 people found the following review helpful.
Must Read for Art Lovers
By C. L Wilson
If you are at all interested in the history of art, modern art, this is the book to read. Utterly fascinating, but what is really great are the full page color reprints of the art. I was introduced to artists I had never heard of, and fell in love with some, particularly Picabbia. Over 30 essays by different writers, each fairly short and easy to understand by the lay person. Except perhaps for the essays on film. I did have a hard time with those. Unfortunately, and my only quibble with this book, is that there is no reference at all as to who these people are, what their credentials might be. I would have liked to know. That said, it is a simply marvelous art book, one to own and refer to again and again.
I actually went to MOMA on February 13th, but, alas, they had little on display of these artists, except for one room. Only one Picabbia, and that one not the best. Perhaps because three whole rooms were closed for work. A fair representation of Robert Delauney, however. Especially his "Windows".
I have slowly come to appreciate Modern Art, and this book reinforced my understanding of it. I was very sorry to have finished it.
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